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Sensuality and Power in Self-Portraiture with Film Photographer Kyla Elliott
written by sylvann on 2024-03-08 #culture #peopleArtist Kyla Elliott shares her enchanting self-portraits inspired by art history, some of which were taken with Lomography film stocks such as the LomoChrome Metropolis and LomoChrome Color '92.
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Geo Cabral on Creating Analogue Scenes With LomoChrome Color '92 and LomoChrome Metropolis Film
written by nikkicheung on 2024-03-14 #gear #people #placesGeo Cabral (@scenesbygeo) is a passionate photographer from the Philippines with a love for photography of all kinds. Recently, we invited him to shoot with LomoChrome Color '92 35 mm film and LomoChrome Metropolis 120 film. Check out his results!
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Five Reasons Why the Lomomatic 110 Camera is Your Next Adventure Buddy
written by kylavillena on 2024-03-12 #gearWhether your adventures are grand or simple, we know just the camera to keep you company. From its pocketable size to its premium glass lens and everything in between, the Lomomatic 110 is your best pick!
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Lomography Community Recap: February 2024
written by bydenise on 2024-03-07 #newsReady for a visual treat? In this month’s recap, we’re catching you up with everything you might have missed in February, from popular photos to ongoing competitions and more!
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Softboifilms on Capturing Winter Light with Lomography Color Negative 120 Film
written by eloffreno on 2024-03-09 #gear #people #placesWe sent Brooklyn-based analogue photographer softboifilms a roll of Lomography CN 120 ISO 800 film to test out alongside their distinct aesthetic of warm tones and the beauty of natural light. Check out their results and read about their impressions of the film stock in this interview!
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Tipster: Night-time Adventures With the Fisheye No.2
written by rocket_fries0036 on 2024-03-14 #gear #tutorialsWith its 170° lens mixed with features such as multiple exposure, bulb mode, and flash, the Fisheye No.2 is perfect for nights out. Here we share some tips on how to get the best low light photos with your Fisheye No.2.
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