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Softboifilms on Capturing Winter Light with Lomography Color Negative 120 Film
written by eloffreno on 2024-03-09 #gear #people #placesWe sent Brooklyn-based analogue photographer softboifilms a roll of Lomography CN 120 ISO 800 film to test out alongside their distinct aesthetic of warm tones and the beauty of natural light. Check out their results and read about their impressions of the film stock in this interview!
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How to Create Multiple Exposures With Your LomoApparat
written by eparrino on 2024-03-12 #gear #tutorials #videosHave you ever tried to shoot multiple exposures with a LomoApparat? In this video tutorial we are looking into how to create stunning multiple exposures with our point-and-shoot camera.
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Hong Kong Film Lab Megatoni Production Shoots with the Diana F+ 120 Camera
written by daioiyiu on 2024-03-08 #gear #culture #people #partnersWe invited Hong Kong film lab Megatoni Production to use the Diana F+ camera to capture some daily snapshots. In this interview they share their insights with the hope of bringing 120 film back into the spotlight and rekindling everyone's interest in medium format photography.
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Lomography X Perimetro – 36 Shots, One Story: Interview with Francesca Tilio
written by ludovicazen on 2024-03-10 #gearLast spring, in collaboration with Perimetro, we launched an Open Call in which we invited photographers from all over Italy to create a personal project with one roll of 35 mm Lomography film. Today we present Francesca Tilio’s "Teenagers of the 21st Century", shot on LomoChrome Metropolis.
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Lomography Community Recap: February 2024
written by bydenise on 2024-03-07 #newsReady for a visual treat? In this month’s recap, we’re catching you up with everything you might have missed in February, from popular photos to ongoing competitions and more!
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Lomopedia: Kodak Elite Chrome EBX 100
written by sylvann on 2024-03-07 #lomopediaDiscontinued in 2012, the Kodak Elite Chrome EBX 100 is another slide film well-loved by Lomographers who were into the crazy color shifts of cross-processing.
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